August 8, 2015 Reception: Saturday, June 27, 3
photo: Grant Mudford
Informed by the vibrant pacific sunlight in Los Angeles & Hawaii, and the intrigues of visiting China & living in Japan, Les Biller presents his 3rd exhibition of representational, landscape & abstract paintings with Rosamund Felsen Gallery.
Verbose in vigor and voluptuous in verve, these robust works brim over with activity & commotion. Portraiture, still life & landscape coalesce with cubist composition & Matissean sensuality while distinctive people, jocular animals, succulent foliage & lush objects are rendered in decadent interiors & extravagant exteriors. Some of these subjects are sourced from real life whereas others are authored from the imagination. Chimes of colors radiate as movement springs from quickness of brush, all the while rendering unique feelings of perception, light, foreground & depth.
In variance, reflective & solitary, watercolor mountain landscapes align with a separate series of abstract works from his past to backlight this latest exhibition.
Les Biller was invited into the gallery’s roster in 2014. He held teaching positions at UCLA from 1964-1975 as well as University of Hawaii from 1975-1980, has received awards from LA County Museum Annual Prize as well as a Fullbright Grant. His one-artist exhibitions include shows at College of the Canyons, Santa Clarita, CA; State Foundation of Culture & the Arts, Honolulu; Contemporary Arts Center, Honolulu; Contemporary Arts Forum, Santa Barbara; & Frederick Wight Gallery, UCLA to name a few.
January 10 - February 7, 2015 Reception: Saturday, January 10, 5 – 7 PM
photo: Grant Mudford
For Les Biller’s second show at Rosamund Felsen Gallery, lonesome Los Angeles cityscape paintings are juxtaposed with narrative paintings composed from mythology, reality and fantasy.
Rich and decadent colors tell stories of the subjects in the narrative paintings, opening with still lifes in beautiful spaces. A bust of Emperor Nero causes his pregnant wife Poppaea to be aghast as a nearby figure stands checking her smartphone. While in another large painting, beautiful objects obscure the view of a serene body of water with monkeys swinging jubilantly overhead. These compositions are unique and humorous, at times enigmatic.
If the narrative paintings are an exercise of cognition, then the cityscapes are of the emotions. Void of people, the yearning cityscapes depict views of Los Angeles that only a sensitive wanderer would notice - the moment right before the beach appears, the tender stillness on the side of the road looking through an underpass, the glory of a sunset on a hillside peering over the vast wonder of the L.A. sprawl, or the awe of proud skyscrapers from beyond the barbed wire of South L.A.
November 22, 2014 - January 3, 2015 Reception: Saturday, November, 22, 5 – 7 PM
photo: Grant Mudford
Les Biller received his Bachelor of Arts at the University of Hawaii in 1957. In 1960, he received his Master of Fine Arts at the University of California, Los Angeles when he was an assistant professor. He then traveled to Japan with his wife Sumiko, clothing designer and boutique owner. After living in Tokyo where he studied at the Tokyo University of Art, they later moved to an abandoned geisha district of Kyoto near Mt. Hiei. Eventually they moved back to the United States where he returned to teach at UCLA in 1964 until 1975. He then returned to the University of Hawaii where he continued teaching for many years.
Now, for his first exhibition with Rosamund Felsen Gallery, Biller presents a body of paintings including still lifes, figures, interiors and landscape. In these paintings, lines weave through charming compositions as beautiful objects are celebrated with equally beautiful measure. Choruses of intense, eccentric and vibrant colors sing praises of glistening vases, sensually patterned textiles, and cars resting before the mountainside. Accompanying the paintings of emotive scenes and sensual objects is a series of figure paintings. One set of these portrays the gestural female form languidly luxuriating in luscious tranquil waters, while another displays audacious nudes wrestling with roaring & tumultuous waves.
With all the works painted exclusively in natural light, the overflow of dazzling colors runs the full gamut of the spectrum. Space and depth are implied, lending to more personal and intimate charm while nodding to influences such as Matisse, Monet, Chardin, Picasso and Courbet. Charismatically, the sensational brushstrokes, color saturation, and rational compositions speak of more than the pictorial scenes they make up. Utilizing still lifes, interiors, figures, and landscapes, Biller’s paintings are celebrations of sensations and experience that meditate on the ever changing relationship between color and light and the playful, at times tenuous, and above all romantic interplay between the two.